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Marketing "Slatke Simone" odradio je za domaće pojmove vrlo kreativan, pa i prijeloman posao u skretanju pozornosti na drugi dugometražni igrani film Igora Mirkovića pred njegovu kinodistribuciju. Naravno, vijest da je na svečanoj premijeri dva dana prije distribucije, održanoj u zagrebačkom multipleksu "Kaptol Boutique Cinema", bio i predsjednik Republike Hrvatske Zoran Milanović sa suprugom Sanjom Musić Milanović dobra je reklama.

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No, marketing se, hollywoodski, zahuktao mjesecima ranije i krenuo neutabanom rutom. S obzirom na to da je priča ambijentirana u prijetvorni svijet cybersexa i animatora koji na sex chatu "pecaju" muškarce lažno se predstavljajući kao (imaginarna) Slatka Simona, stvorena je AI verzija titularnog lika u promotivne svrhe filma.

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Još imaginarnija Slatka Simona u potpunosti je djelo umjetne inteligencije i kao takva postala je prva hrvatska AI influencerica, kreirana za promociju filma. Nikad dosad neki hrvatski film nije posegnuo za AI likom da ga promovira. Virtualna, umjetna ljepotica zavodi fotkama na Instagramu, skupljajući pratitelje, lajkove i komentare, a dobila je čak i pravi "dick pic" u inboks, kao što "slike kita" dobiva i njezina filmska ekvivalentica.

Plakat je također na tom "AI generated" tragu, uz ključne riječi "Pošalji sms Slatkoj Simoni". Nesumnjivo, "Slatka Simona" je odraz našeg vremena – vremena nikad dostupnije online pornografije, sveprisutnih društvenih mreža, lažnih internetskih identiteta i ispraznih, nerijetko zavaravajućih virtualnih odnosa. Ovakav film u hrvatskoj kinematografiji još nije snimljen, a definitivno je neobično i neočekivano da ga potpisuje upravo Mirković od svih domaćih redatelja.

Nakon što je karijeru novinara zamijenio filmskom, Mirković se redateljski kalio na dokumentarcima "Orbanići Unplugged", "Sretno dijete" i "Novo, novo vrijeme", u dugometažnoj igranoj formi debitirao 2012. ljubavnom dramom "Noćni brodovi", da bi u međuvremenu snimio divoticu od kratkometražnog filma "Balavica" i radio na popularnoj TV seriji "Crno-bijeli svijet".

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Ništa od toga nije odavalo da će Mirković režirati i napisati nešto poput "Slatke Simone", erotsko-trilerskog filma koji je tematski/žanrovski svojstveniji Lukasu Nolu i mogao bi se maratonski upariti s "Escortom". Međutim, Mirković je pristupio priči kao da radi na dokumentarcu, što sugerira i angažman malo poznatih i/li filmski neiskusnih glumaca u glavnim ulogama, te odlučio istražiti što se krije u svijetu cybersexa s obje strane ekrana ili "žice" (djelatnici i korisnici sex chata), pronalazeći tu materijal za erotski ili erotizirani triler.

Kao što seksi Slatka Simona može biti bilo tko, stara žena, pa i muškarac, poput zaposlenika opskurne hrvatske podružnice njemačke sex chat agencije s nadimkom Zeleni (Toma Medvešek), tako i muškarac koji o njoj postaje ovisan, Bobo (Jerko Marčić) može biti svatko, možda i jednako "nestvaran" u odnosu na to kako se predstavlja.

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Bobo je taksist koji radi u Wolfsbergu ("Austrijanac, oni znaju bit dosta čudni") i zapleo se u Simoninu mrežu, zaveden njezinim seksualno-fantazijskim porukama "Voliš gledati kroz ključanicu? Sve sam obrijala do posljednje dlačice, nisam li slatka?". On zamišlja Simonu kao djevojku iz kemijske čistionice (Maja Jurić), nemajući pojma da razmjenjuje poruke s muškarcem, Zelenim, te da ona ni ne postoji.

No, opet, Bobo "možda živi ovdje negdje i gleda nas s prozora cijelo ovo vrijeme", kako kaže Jana (Tina Keserović), bivša medicinska sestra friško zaposlena u sex chat agenciji, "ženska koja je prava ženska", za razliku od ostalih zaposlenika. Stvari odlaze predaleko kad Bobo odluči pronaći Slatku Simonu "za stvarno" nakon što mu se Jana smiluje i snimi pjesmicu da joj čuje glas i on povjeruje da je stvarna.

Da je žanrovac Nola režirao "Slatku Simonu", elementi (erotskog) trilera bili bi naglašeniji, a Mirković kao direktor Motovun Film Festivala razmišlja u okvirima festivalske kinematografije. Mirkovića više intrigiraju dramski i društveni aspekti priče, ljudski faktor i dvosmisleni krajevi sukladno festivalskom filmu.

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Primjerice, Mirković otvara priču u turbo-folk klubu s "pevaljkom" (glumi je poznata pjevačica Dunja Ercegović alias Lovely Quinces i Bad Daughter) kako pjeva "ako želiš geng beng sa svim muškarcima reci ‘da‘...", povezujući turbofolk i (online) pornografiju.

Pored toga, "Slatka Simona" kupi najviše poena kao gorka drama o novomilenijskoj usamljenosti i otuđenosti, svakako više nego kao erotski triler na tankoj granici zbilje i iluzije. Film je napučen tužnim, osamljenim likovima koji žele biti voljeni i pronaći ljubav, makar prividno "online", ako ne uživo. Likovi filma reflektiraju ljude iz stvarnog svijeta gdje mnogi traže neku svoju Slatku Simonu i možda joj baš u ovom trenutku šalju sms.

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FILM: Slatka Simona; erotski triler; Hrvatska, 2024. REŽIJA: Igor Mirković ULOGE: Maja Jurić, Tina Keserović DISTRIBUCIJA: Blitz OCJENA: ***

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Maske na licu likova

Motivu otuđenosti doprinose i maske na licu likova. Priča se, naime, odvija tijekom ili neposredno nakon korone.

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Marketing "Slatke Simone" odradio je za domaće pojmove vrlo kreativan, pa i prijeloman posao u skretanju pozornosti na drugi dugometražni igrani film Igora Mirkovića pred njegovu kinodistribuciju. Naravno, vijest da je na svečanoj premijeri dva dana prije distribucije, održanoj u zagrebačkom multipleksu "Kaptol Boutique Cinema", bio i predsjednik Republike Hrvatske Zoran Milanović sa suprugom Sanjom Musić Milanović dobra je reklama.

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No, marketing se, hollywoodski, zahuktao mjesecima ranije i krenuo neutabanom rutom. S obzirom na to da je priča ambijentirana u prijetvorni svijet cybersexa i animatora koji na sex chatu "pecaju" muškarce lažno se predstavljajući kao (imaginarna) Slatka Simona, stvorena je AI verzija titularnog lika u promotivne svrhe filma.

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Još imaginarnija Slatka Simona u potpunosti je djelo umjetne inteligencije i kao takva postala je prva hrvatska AI influencerica, kreirana za promociju filma. Nikad dosad neki hrvatski film nije posegnuo za AI likom da ga promovira. Virtualna, umjetna ljepotica zavodi fotkama na Instagramu, skupljajući pratitelje, lajkove i komentare, a dobila je čak i pravi "dick pic" u inboks, kao što "slike kita" dobiva i njezina filmska ekvivalentica.

Plakat je također na tom "AI generated" tragu, uz ključne riječi "Pošalji sms Slatkoj Simoni". Nesumnjivo, "Slatka Simona" je odraz našeg vremena – vremena nikad dostupnije online pornografije, sveprisutnih društvenih mreža, lažnih internetskih identiteta i ispraznih, nerijetko zavaravajućih virtualnih odnosa. Ovakav film u hrvatskoj kinematografiji još nije snimljen, a definitivno je neobično i neočekivano da ga potpisuje upravo Mirković od svih domaćih redatelja.

Nakon što je karijeru novinara zamijenio filmskom, Mirković se redateljski kalio na dokumentarcima "Orbanići Unplugged", "Sretno dijete" i "Novo, novo vrijeme", u dugometažnoj igranoj formi debitirao 2012. ljubavnom dramom "Noćni brodovi", da bi u međuvremenu snimio divoticu od kratkometražnog filma "Balavica" i radio na popularnoj TV seriji "Crno-bijeli svijet".

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Ništa od toga nije odavalo da će Mirković režirati i napisati nešto poput "Slatke Simone", erotsko-trilerskog filma koji je tematski/žanrovski svojstveniji Lukasu Nolu i mogao bi se maratonski upariti s "Escortom". Međutim, Mirković je pristupio priči kao da radi na dokumentarcu, što sugerira i angažman malo poznatih i/li filmski neiskusnih glumaca u glavnim ulogama, te odlučio istražiti što se krije u svijetu cybersexa s obje strane ekrana ili "žice" (djelatnici i korisnici sex chata), pronalazeći tu materijal za erotski ili erotizirani triler.

Kao što seksi Slatka Simona može biti bilo tko, stara žena, pa i muškarac, poput zaposlenika opskurne hrvatske podružnice njemačke sex chat agencije s nadimkom Zeleni (Toma Medvešek), tako i muškarac koji o njoj postaje ovisan, Bobo (Jerko Marčić) može biti svatko, možda i jednako "nestvaran" u odnosu na to kako se predstavlja.

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Bobo je taksist koji radi u Wolfsbergu ("Austrijanac, oni znaju bit dosta čudni") i zapleo se u Simoninu mrežu, zaveden njezinim seksualno-fantazijskim porukama "Voliš gledati kroz ključanicu? Sve sam obrijala do posljednje dlačice, nisam li slatka?". On zamišlja Simonu kao djevojku iz kemijske čistionice (Maja Jurić), nemajući pojma da razmjenjuje poruke s muškarcem, Zelenim, te da ona ni ne postoji.

No, opet, Bobo "možda živi ovdje negdje i gleda nas s prozora cijelo ovo vrijeme", kako kaže Jana (Tina Keserović), bivša medicinska sestra friško zaposlena u sex chat agenciji, "ženska koja je prava ženska", za razliku od ostalih zaposlenika. Stvari odlaze predaleko kad Bobo odluči pronaći Slatku Simonu "za stvarno" nakon što mu se Jana smiluje i snimi pjesmicu da joj čuje glas i on povjeruje da je stvarna.

Da je žanrovac Nola režirao "Slatku Simonu", elementi (erotskog) trilera bili bi naglašeniji, a Mirković kao direktor Motovun Film Festivala razmišlja u okvirima festivalske kinematografije. Mirkovića više intrigiraju dramski i društveni aspekti priče, ljudski faktor i dvosmisleni krajevi sukladno festivalskom filmu.

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Primjerice, Mirković otvara priču u turbo-folk klubu s "pevaljkom" (glumi je poznata pjevačica Dunja Ercegović alias Lovely Quinces i Bad Daughter) kako pjeva "ako želiš geng beng sa svim muškarcima reci ‘da‘...", povezujući turbofolk i (online) pornografiju.

Pored toga, "Slatka Simona" kupi najviše poena kao gorka drama o novomilenijskoj usamljenosti i otuđenosti, svakako više nego kao erotski triler na tankoj granici zbilje i iluzije. Film je napučen tužnim, osamljenim likovima koji žele biti voljeni i pronaći ljubav, makar prividno "online", ako ne uživo. Likovi filma reflektiraju ljude iz stvarnog svijeta gdje mnogi traže neku svoju Slatku Simonu i možda joj baš u ovom trenutku šalju sms.

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FILM: Slatka Simona; erotski triler; Hrvatska, 2024. REŽIJA: Igor Mirković ULOGE: Maja Jurić, Tina Keserović DISTRIBUCIJA: Blitz OCJENA: ***

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Maske na licu likova

Motivu otuđenosti doprinose i maske na licu likova. Priča se, naime, odvija tijekom ili neposredno nakon korone.

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StoryEditorOCM
Film & TVCINEMARK U KINU

Cybersex, laži i videosnimke: ‘Slatka Simona‘ čeka da joj pošaljete sms za chat u filmu koji je odraz našeg vremena

Piše Marko Njegić
7. veljače 2024. - 19:30

Marketing "Slatke Simone" odradio je za domaće pojmove vrlo kreativan, pa i prijeloman posao u skretanju pozornosti na drugi dugometražni igrani film Igora Mirkovića pred njegovu kinodistribuciju. Naravno, vijest da je na svečanoj premijeri dva dana prije distribucije, održanoj u zagrebačkom multipleksu "Kaptol Boutique Cinema", bio i predsjednik Republike Hrvatske Zoran Milanović sa suprugom Sanjom Musić Milanović dobra je reklama.

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13. svibanj 2024 16:18