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Da staromodni jumbo plakati mogu biti moćno komunikacijsko oružje i u eri internetskog oglašavanja potvrđuje drama 'Tri plakata izvan grada', jedan od favorita ovogodišnje dodjele Oscara. Film britanskog redatelja Martina McDonagha, velikog poklonika 'tarantinovštine' , donosi priču o Mildred, majci silovane i ubijene djevojke koja zakupi tri stara billboarda na periferiji gradića Ebbinga u Missouriju ne bi li lokalnu policiju potaknula da pronađe i kazni počinitelja.
Plakatiranje očekivano uzbuni duhove provincije koja s netrepeljivošću gleda svakog tko se usudi baciti kamen u žabokrečinu. A 'bacačica kamena' sjajna je oskarovka Frances McDormand koju pamtimo po ulozi trudne policajke u krimiću crnoj komediji Fargo iz 1996. Prognoze govore da bi se kipićem za naslovnu rolu mogla okititi i ove godine, što ne bi bilo iznenađenje jer je njezin majčinski lik uistinu impresivan.
Neki su Mildredini potezi moralno dvojbeni, neke reakcije teško dokučive, no upornost kojom se bori s tugom zbog izgubljenog djeteta sve ih opravdava. Ni policijski službenici koji se zbog poruka s billboarda osjećaju prozvanima nisu onakvi kakve bismo očekivali. Šerif (glumi ga hollywoodski 'zloćko' Woody Harrelson) nije lokalni silnik nesklon djelovanju, već onkološki bolesnik pomiren sa smrću.
Šerifov pomoćnik Dixon jest bad cop, mamin sin, rasist i homofob kojega nervira feminizirani vlasnik tvrtke za najam plakata, no unatoč svim manama nije bezosjećajan kakvim se čini na prvi pogled. Za sporednu ulogu problematičnog murjaka izvrsni Sam Rockwell s pravom očekuje nagradu Akademije.
O glumačkim izvedbama toliko, a o žanru mala preporuka. Tko od 'Tri plakata' očekuje whodunit koncept pun napetosti, dedukcije i brzog ritma, neće doći na svoje. Trilerske odlike i akcija ovdje su potisnute u drugi plan. S vremenom shvatite da nisu ključni ni pronalazak silovatelja ni simbolično zadovoljenje pravde, već emocionalna (ne)uravnoteženost protagonista pritisnutih patnjama i porazima. Ebbing je gradić tužnih ljudi koji prkose predrasudama. Mildredin suprug ženi 19-godišnjakinju koja smrdi po balegi, Dixonova mama za kućnog ljubimca ima čančaru, mjesni patuljak nepotvrđeni je zavodnik i tako redom.
Fabulu koja u završnici ponešto razočara raspletom podižu urnebesne epizode koje nadiru mimo očekivanja. Scena napada Molotovljevim koktelom na policijsku stanicu jedna je od pomaknutih 'minijatura' drame koja sadrži mnoge elemente izvorne 'americane'. Missouri s tri derutna plakata mali je prikaz zabiti i čamotinje američkog Srednjeg Zapada kojega tek zločin i odvažni ljudi koji mu se glasno usprotive izvlače iz mrtvila.
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Da staromodni jumbo plakati mogu biti moćno komunikacijsko oružje i u eri internetskog oglašavanja potvrđuje drama 'Tri plakata izvan grada', jedan od favorita ovogodišnje dodjele Oscara. Film britanskog redatelja Martina McDonagha, velikog poklonika 'tarantinovštine' , donosi priču o Mildred, majci silovane i ubijene djevojke koja zakupi tri stara billboarda na periferiji gradića Ebbinga u Missouriju ne bi li lokalnu policiju potaknula da pronađe i kazni počinitelja.
Plakatiranje očekivano uzbuni duhove provincije koja s netrepeljivošću gleda svakog tko se usudi baciti kamen u žabokrečinu. A 'bacačica kamena' sjajna je oskarovka Frances McDormand koju pamtimo po ulozi trudne policajke u krimiću crnoj komediji Fargo iz 1996. Prognoze govore da bi se kipićem za naslovnu rolu mogla okititi i ove godine, što ne bi bilo iznenađenje jer je njezin majčinski lik uistinu impresivan.
Neki su Mildredini potezi moralno dvojbeni, neke reakcije teško dokučive, no upornost kojom se bori s tugom zbog izgubljenog djeteta sve ih opravdava. Ni policijski službenici koji se zbog poruka s billboarda osjećaju prozvanima nisu onakvi kakve bismo očekivali. Šerif (glumi ga hollywoodski 'zloćko' Woody Harrelson) nije lokalni silnik nesklon djelovanju, već onkološki bolesnik pomiren sa smrću.
Šerifov pomoćnik Dixon jest bad cop, mamin sin, rasist i homofob kojega nervira feminizirani vlasnik tvrtke za najam plakata, no unatoč svim manama nije bezosjećajan kakvim se čini na prvi pogled. Za sporednu ulogu problematičnog murjaka izvrsni Sam Rockwell s pravom očekuje nagradu Akademije.
O glumačkim izvedbama toliko, a o žanru mala preporuka. Tko od 'Tri plakata' očekuje whodunit koncept pun napetosti, dedukcije i brzog ritma, neće doći na svoje. Trilerske odlike i akcija ovdje su potisnute u drugi plan. S vremenom shvatite da nisu ključni ni pronalazak silovatelja ni simbolično zadovoljenje pravde, već emocionalna (ne)uravnoteženost protagonista pritisnutih patnjama i porazima. Ebbing je gradić tužnih ljudi koji prkose predrasudama. Mildredin suprug ženi 19-godišnjakinju koja smrdi po balegi, Dixonova mama za kućnog ljubimca ima čančaru, mjesni patuljak nepotvrđeni je zavodnik i tako redom.
Fabulu koja u završnici ponešto razočara raspletom podižu urnebesne epizode koje nadiru mimo očekivanja. Scena napada Molotovljevim koktelom na policijsku stanicu jedna je od pomaknutih 'minijatura' drame koja sadrži mnoge elemente izvorne 'americane'. Missouri s tri derutna plakata mali je prikaz zabiti i čamotinje američkog Srednjeg Zapada kojega tek zločin i odvažni ljudi koji mu se glasno usprotive izvlače iz mrtvila.
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19. svibanj 2024 20:16
