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Violinistice Đana Kahriman i Eva Šulić, violist Šimun Končić te violončelist Pavle Zajcev sinoć su, 3. kolovoza, u atriju Kneževa dvora prvi put zajedno nastupili kao gudački komorni ansambl naziva kvARTet, debitirajući, i trijumfirajući, ako je suditi po oduševljenju festivalske publike, s gudačkim kvartetima van Beethovena i Dvořáka.

Iz prvog reda nastup je pažljivo pratio proslavljeni hrvatski glumac Goran Višnjić, u društvu kolege glumca i redatelja, Dubrovčanina Roberta Boškovića, s kojim se već nekoliko dana druži u Dubrovniku nakon što je posjetio rodni Šibenik. 

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U atriju Kneževa dvora nastupio je gudački komorni ansambl naziva kvARTet
Dlji
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U prvom dijelu kontrastnog, ali harmoničnog večernjeg programa, komorni ansambl izveo je Gudački kvartet u F-duru op. 59 br.1 Ludwiga van Beethovena, jedan od tri njegova takozvana Rasumowsky kvarteta. Iako su ovi kvarteti među najpopularnijim Beethovenovim skladbama koje danas impresioniraju svojom simfoničnošću. isprva su naišli na nerazumijevanje suvremenika, no njihov autor ih nije zamislio ni za lako slušanje niti sviranje – u njima osciliraju intenzivne emocije i zahtijevaju veliko tehničko umijeće. Oživotvoriti tako komplicirano, čak i monumentalno djelo nije lak zadatak niti za iskusnije ansamble, no kvARTet je bio odvažan u svom izboru i uspješno su demonstrirali ne samo pojedinačni virtuozitet, već i savršenu skladnost. Komplementarni zaigrani kasnoromantičarski šarm donio je drugi dio koncerta i Gudački kvartet u F-duru op. 96 tzv. Američki, Antonína Dvořáka. Odmarajući se koncem 19. stoljeća u Spillvilleu u američkoj saveznoj državi Iowi, skladatelja je inspirirala pastoralna idila, ali i specifični američki kulturalni kolaž pa sklada najkraće i najjednostavnije od svojih komornih djela. Svirajući Dvořákove vedre i neopterećene note koje u jednom stavku imitiraju pjesmu ptica, kvARTet je unio u Dvor svježinu kasnovečernjeg povjetarca. Festivalska publika ispratila je umjetnike gromoglasnim pljeskom i uzvicima oduševljenja, pozivajući gudače na poklon pet puta, a za zahvalu dobivši dva glazbena dodatka. Tako su za kraj večeri Kahriman, Šulić, Končić i Zajcev odsvirali Orientale, jednu od pet Glazunovljevih Noveletta za gudače koja je istaknula i podcrtala folklorni kolorit ranijeg programa, te Porinom nagrađenu skladbu Čežnja Pavla Dešpalja, koja je u svakome pobudila čežnju za sljedećim koncertom kvARTeta.

Sljedeći koncert u Dvoru već je u petak, 6. kolovoza u 21:30 sati, kada će vodeći američki tenor Lawrence Brownlee nastupiti uz klavirsku pratnju Vesne Podrug Kossjanenko, s odabranim repertoarom koji će uključiti Verdijeve, Rossinijeve i Lisztove solo pjesme, arije iz Donizettijevih opera te napolitanske pjesme. 

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Violinistice Đana Kahriman i Eva Šulić, violist Šimun Končić te violončelist Pavle Zajcev sinoć su, 3. kolovoza, u atriju Kneževa dvora prvi put zajedno nastupili kao gudački komorni ansambl naziva kvARTet, debitirajući, i trijumfirajući, ako je suditi po oduševljenju festivalske publike, s gudačkim kvartetima van Beethovena i Dvořáka.

Iz prvog reda nastup je pažljivo pratio proslavljeni hrvatski glumac Goran Višnjić, u društvu kolege glumca i redatelja, Dubrovčanina Roberta Boškovića, s kojim se već nekoliko dana druži u Dubrovniku nakon što je posjetio rodni Šibenik. 

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U atriju Kneževa dvora nastupio je gudački komorni ansambl naziva kvARTet
Dlji
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U prvom dijelu kontrastnog, ali harmoničnog večernjeg programa, komorni ansambl izveo je Gudački kvartet u F-duru op. 59 br.1 Ludwiga van Beethovena, jedan od tri njegova takozvana Rasumowsky kvarteta. Iako su ovi kvarteti među najpopularnijim Beethovenovim skladbama koje danas impresioniraju svojom simfoničnošću. isprva su naišli na nerazumijevanje suvremenika, no njihov autor ih nije zamislio ni za lako slušanje niti sviranje – u njima osciliraju intenzivne emocije i zahtijevaju veliko tehničko umijeće. Oživotvoriti tako komplicirano, čak i monumentalno djelo nije lak zadatak niti za iskusnije ansamble, no kvARTet je bio odvažan u svom izboru i uspješno su demonstrirali ne samo pojedinačni virtuozitet, već i savršenu skladnost. Komplementarni zaigrani kasnoromantičarski šarm donio je drugi dio koncerta i Gudački kvartet u F-duru op. 96 tzv. Američki, Antonína Dvořáka. Odmarajući se koncem 19. stoljeća u Spillvilleu u američkoj saveznoj državi Iowi, skladatelja je inspirirala pastoralna idila, ali i specifični američki kulturalni kolaž pa sklada najkraće i najjednostavnije od svojih komornih djela. Svirajući Dvořákove vedre i neopterećene note koje u jednom stavku imitiraju pjesmu ptica, kvARTet je unio u Dvor svježinu kasnovečernjeg povjetarca. Festivalska publika ispratila je umjetnike gromoglasnim pljeskom i uzvicima oduševljenja, pozivajući gudače na poklon pet puta, a za zahvalu dobivši dva glazbena dodatka. Tako su za kraj večeri Kahriman, Šulić, Končić i Zajcev odsvirali Orientale, jednu od pet Glazunovljevih Noveletta za gudače koja je istaknula i podcrtala folklorni kolorit ranijeg programa, te Porinom nagrađenu skladbu Čežnja Pavla Dešpalja, koja je u svakome pobudila čežnju za sljedećim koncertom kvARTeta.

Sljedeći koncert u Dvoru već je u petak, 6. kolovoza u 21:30 sati, kada će vodeći američki tenor Lawrence Brownlee nastupiti uz klavirsku pratnju Vesne Podrug Kossjanenko, s odabranim repertoarom koji će uključiti Verdijeve, Rossinijeve i Lisztove solo pjesme, arije iz Donizettijevih opera te napolitanske pjesme. 

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U atriju Kneževa dvora nastupio je gudački komorni ansambl naziva kvARTet
Dlji
U atriju Kneževa dvora nastupio je gudački komorni ansambl naziva kvARTet
Dlji
U atriju Kneževa dvora nastupio je gudački komorni ansambl naziva kvARTet
Dlji
U atriju Kneževa dvora nastupio je gudački komorni ansambl naziva kvARTet
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Sjajan festivalski debi kvARTeta u Dvoru, iz prvog reda nastup pažljivo pratio Goran Višnjić

Piše DV
4. kolovoza 2021. - 10:50
U atriju Kneževa dvora nastupio je gudački komorni ansambl naziva kvARTet
Galerija
U atriju Kneževa dvora nastupio je gudački komorni ansambl naziva kvARTetDlji

Violinistice Đana Kahriman i Eva Šulić, violist Šimun Končić te violončelist Pavle Zajcev sinoć su, 3. kolovoza, u atriju Kneževa dvora prvi put zajedno nastupili kao gudački komorni ansambl naziva kvARTet, debitirajući, i trijumfirajući, ako je suditi po oduševljenju festivalske publike, s gudačkim kvartetima van Beethovena i Dvořáka.

Iz prvog reda nastup je pažljivo pratio proslavljeni hrvatski glumac Goran Višnjić, u društvu kolege glumca i redatelja, Dubrovčanina Roberta Boškovića, s kojim se već nekoliko dana druži u Dubrovniku nakon što je posjetio rodni Šibenik. 

image
U atriju Kneževa dvora nastupio je gudački komorni ansambl naziva kvARTet
Dlji

U prvom dijelu kontrastnog, ali harmoničnog večernjeg programa, komorni ansambl izveo je Gudački kvartet u F-duru op. 59 br.1 Ludwiga van Beethovena, jedan od tri njegova takozvana Rasumowsky kvarteta. Iako su ovi kvarteti među najpopularnijim Beethovenovim skladbama koje danas impresioniraju svojom simfoničnošću. isprva su naišli na nerazumijevanje suvremenika, no njihov autor ih nije zamislio ni za lako slušanje niti sviranje – u njima osciliraju intenzivne emocije i zahtijevaju veliko tehničko umijeće. Oživotvoriti tako komplicirano, čak i monumentalno djelo nije lak zadatak niti za iskusnije ansamble, no kvARTet je bio odvažan u svom izboru i uspješno su demonstrirali ne samo pojedinačni virtuozitet, već i savršenu skladnost. Komplementarni zaigrani kasnoromantičarski šarm donio je drugi dio koncerta i Gudački kvartet u F-duru op. 96 tzv. Američki, Antonína Dvořáka. Odmarajući se koncem 19. stoljeća u Spillvilleu u američkoj saveznoj državi Iowi, skladatelja je inspirirala pastoralna idila, ali i specifični američki kulturalni kolaž pa sklada najkraće i najjednostavnije od svojih komornih djela. Svirajući Dvořákove vedre i neopterećene note koje u jednom stavku imitiraju pjesmu ptica, kvARTet je unio u Dvor svježinu kasnovečernjeg povjetarca. Festivalska publika ispratila je umjetnike gromoglasnim pljeskom i uzvicima oduševljenja, pozivajući gudače na poklon pet puta, a za zahvalu dobivši dva glazbena dodatka. Tako su za kraj večeri Kahriman, Šulić, Končić i Zajcev odsvirali Orientale, jednu od pet Glazunovljevih Noveletta za gudače koja je istaknula i podcrtala folklorni kolorit ranijeg programa, te Porinom nagrađenu skladbu Čežnja Pavla Dešpalja, koja je u svakome pobudila čežnju za sljedećim koncertom kvARTeta.

Sljedeći koncert u Dvoru već je u petak, 6. kolovoza u 21:30 sati, kada će vodeći američki tenor Lawrence Brownlee nastupiti uz klavirsku pratnju Vesne Podrug Kossjanenko, s odabranim repertoarom koji će uključiti Verdijeve, Rossinijeve i Lisztove solo pjesme, arije iz Donizettijevih opera te napolitanske pjesme. 

#KVARTET#GORAN VIŠNJIĆ
12. svibanj 2024 19:25